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Three months lock-down.

Preparing work for Open Up Sheffield in May—but with the Covid-19 pandemic will doors be opening or closing…

This may be a cliché but I couldn’t resist.

Tickled to be in Fujifilm’s Printlife exhibition at the Old Truman Brewery, London. Southbank undercroft: alternative culture at the heart of the mainstream.

Olafur Eliasson hits you with his light as soon as you step out of the lift at Tate Modern.

What happens when you fit a 500W Photoflood bulb in a plastic shade…

Cyanotype #2 of Des, from a solarised internegative of the original. 7×5 inches.

Cyanotype #1 of Des (RIP), from the original 1975 negative. 7×5 inches.

Cupola Contemporary Art — a unique gem of Sheffield.

Tate Modern: Weather Project, Olafur Eliasson. This one on film.

Tate Modern: Weather Project, Olafur Eliasson. Early digital work (2004) with montage artifacts.

Moore Street electricity substation, ArtSheffield 2016

Inordinately pleased with my new print embosser.

Limited edition photograph, signed and numbered 1/5 on the mount. Image 13x13cm in a ready-made frame 25x25cm. Latest addition to my smaller, affordable series.

The Gents at the Hayward.

Museum of Modern Art, New York (2005). An oasis, but my lingering memory is the expensive scent of an elegant gentleman walking past.

To Stanage Edge on Sunday, moved by this along the way.

This is one of 100 Views of the Arts Tower, group exhibition inspired by Katsushika Hokusai’s One Hundred Views of Mount Fuji, at Western Bank Library Gallery, University of Sheffield, 11.02.2019 – 31.03.2019.

This corner of a London gallery caught my eye when I visited the wonderful Andreas Gursky exhibition. Hayward gallery, 29.03.2018.

A gallery that moved me years ago, reminded today by the Pittsburgh synagogue massacre. Jewish Museum Berlin, 03.12.2004.